Old Movies Just Don’t Play Anymore. Or Do They?

Old Movies Don’t Play Anymore

Among all the enormous disparities in the world today between the Baby Boomer generation and this new configuration of alphabets, the differences are from here to Mars.

Probably further since we actually got to Mars, at least Rover did.

New generations seem totally apathetic to anything that happened beyond ten years ago. Nostalgia is a word with which they have cultivated no relationship, nor do they care to.

To young people the eighties are considered ancient times and there is no interest in anything that preceded boy bands.

I am saddened by the fact that young people today show such a lack of interest in classic movies.  I suppose it was inevitable looking at mid-20th-century cinema through a 21st-century lens.

When I was a kid there was a man in Detroit who had a show on each afternoon called Bill Kennedy at the Movies.

Most of the movies were made from the time talkies came in to the late fifties. These were mostly black and white and featured stars like Errol Flynn, Tyrone Power, Bette Davis, James Cagney,  Jimmy Stewart, Joan Crawford and the big stars of that era.

Despite the fact I was very young I adored these movies. And movie stars. Actors were managed then and we knew nothing about their personal lives until much later in the sixties. That contributed greatly to the glamour and mystery of Hollywood. And unlike today, ignorance was bliss when stars said little.

The sight of Errol Flynn swinging on a tree rope to a branch, extending his hand and saying, “Welcome to Sherwood,” was a line I couldn’t get enough of.

Because the movie was made eight years before I was born meant nothing to me. I didn’t see it as outdated or archaic, I just saw a great movie.

The James Cagney gangster flicks, John Wayne cowboy movies, screwball comedies, Charlie Chaplin, the Marx Brothers, anything with Cary Grant, remain loved by so many.

Although movies remain a showcase of human behavior, it is truly a fact they are dated.

Yet although times and scenery may change people don’t. The love, crime and family stories endure.

They are a portrait of what the U.S.A. was like before television, freeways and malls.

A window into small town innocence in America featuring Mickey Rooney, Judy Garland, or Jane Powell. Neighborhoods where one needn’t lock their front door and Sunday picnics in the park were the best way a family could spend a day.

One movie, The Male Animal with Henry Fonda showed college life in America at a Midwest university where football games and bonfires were all part of the experience. Based totally on U of M or Ohio State is my guess.

What is amazing to me is watching the way cities like New York have changed.

If you watch Barefoot in the Park or Breakfast at Tiffany’s you get a picture of how wonderful New York was in her heyday. And a bit of sadness as well.

The quiet and peaceful vibe of rural, urban and family life literally jumps through the screen and reminds us of the uncluttered and slow moving pace of our lives then.

Yet today, kids are bored by these movies. A good story doesn’t seem to be enough to capture the attention of young people who have been raised with IMAX and AI.

They have little interest in historical classics like Gone With The Wind, despite its incredible story and acting.

I recently asked my grandsons to watch The Producers with me. The original and in my opinion best one, with Dick Shawn, Zero Mostel and Gene Wilder. They were quite skeptical about my rave reviews, but they went along for the ride. I also suspect it’s because my daughter ensured them it was indeed one of the funniest films ever.

When my children were young I exposed them to great comedy, like The Producers, It’s a Mad Mad Mad Mad World and just really funny movies. I like to believe it’s why they have great senses of humor today.

So yes, my grandchildren enjoyed the Zero and Gene version very much. Despite its dated demeanor they laughed and got every joke. Seriously, Springtime for Hitler? Genius never fades.

A great motion picture moves at its own pace. Kids today live in a fast-paced world.

There are video games, technology, Virtual Reality and space travel. You Tube has changed the watch interval considerably from two hours to seeing ten shows in that time.

I personally find it a bit disheartening that so few young people today appreciate how glorious it is to simply lose oneself in Casablanca, The Godfather, Citizen Kane or It’s A Wonderful Life.

The list of great movies is endless and I devour them all.

But the world moves at lightning speed and kids aren’t about to stop and watch Mr. Smith Goes to Washington when they’re in the middle of a game on their Virtual Reality headset.

As a kid we watched old movies at home, or went to a neighborhood theatre in Detroit called The Mercury that featured murals of the cosmos on the walls that glowed in the dark. And we loved every minute. Movies were a great way to escape into other worlds, interesting places and intriguing stories.

I guess when the world sped up the need for old movies slowed down. Yet historic preservation of old movies also preserves a view into the past. How the world changed and yet in many ways has stayed the same. Watching Spartacus lead a revolt is a whole lot better than reading about it in a history book.

But you must go with the flow. So I watch my old movies and You Tube. I admit to still feeling a tinge of sadness when watching an old movie and catch a glimpse of the Brooklyn Dodgers playing in Dodger Stadium in Brooklyn. Those were the good old days with an emphasis on good! But as long as we can still visit classic Hollywood on the screen, these memories will remain.  

Why Is Laughter in the Jewish DNA? Just Ask Sid Caesar.

I am often asked, “Why are there so many Jewish comedians?”

I’ve never done an assessment of the numbers in line with other ethnicities, but yes, Jewish people have always found it helpful to rely on laughter to lighten the load.

I’ve also found that unlike many other groups Jewish people seem to have no problem when it comes to laughing at themselves. This probably contributes a great deal to their ability to spawn so many funny people. If laughter is allowed then many will embrace its healing effect.

And lately that load of problems seems to have increased to the size of a mountain. So how are we going to plow through and laugh enough to ease the pain?

Comedy is king when it comes to lifting one’s spirit and television was my go-to kingdom for laughter.

So, what happens when you put the funniest comic writers in a room together, add top acting talent and a boss who wouldn’t settle for anything less than perfection? You get Your Show of Shows.

Of all the shows on television I remember as a child Your Show of Shows with Sid Caesar set the bar the highest. The man knew funny and recognized it others. It was the best example of what happens when you put some of the funniest Jewish writers and comics on the planet in the same room and let them soar. Caesar let his writers take risks and then his genius added the rest.  Just perusing the list of talent on that writing staff is a who’s who of the legendary comedians of our time. Probably of all time.

No one could ever deny Sid Caesar was a great comic and actor who knew how to take a joke over the top. He also had a cast of legends including Imogene Coca, Howard Morris, Carl Reiner and Nanette Fabray. But having great material raises comedy to a whole other level. And that level was astronomical.

Your Show of Shows was created and produced by, and many of the writers discovered by, a man named Max Liebman, a producer, director and composer who worked on Broadway. He made Sid Caesar and Imogene Coca stars and helped launch the careers of Carl Reiner, Howard Morris, Nanette Fabray and the writers Mel Brooks, Neil Simon, and Mel Tolkin.

Looking at the list of accomplishments of Caesar’s writers, I am in awe. Even the ones you might not immediately recognize just make me say “Wow, I never knew that.”

So here’s some wow moments starting with someone who surprised me.

Mel Tolkin isn’t a household name but I guarantee he delivered a whole lot of laughter into your home. As head writer on the show, he reined in all the comic geniuses and egos in that room. Tolkin went on to write for All in the Family, Archie Bunker’s Place, Dickens and Fenster and Bachelor Father among others. He won an Emmy and numerous WGA (Writer’s Guild of America) awards.

Joseph Stein wrote and received a Tony Award for Best Musical and Best Author for Fiddler on the Roof.

He was also awarded the New York Drama Critics’ Circle Award, Screen Writers Guild Award for the screenplay and the Newspaper Guild Award.

Among his other hits was a gem called Zorba the Greek and he also wrote and produced Mr. Wonderful starring Sammy Davis Jr.

There was also a guy named Mel Brooks you may know. Is there actually enough byte space on my computer for this guy? We needn’t even mention all the Tony, Academy, Bafta and Lifetime achievements awards this man has won. Suffice it to say his awards could fill a room.

I highly doubt you can find anyone on planet earth who hasn’t laughed at The Producers, Blazing Saddles, The Twelve Chairs, Young Frankenstein, Silent Movie, High Anxiety, A History of the World, Part I, Spaceballs, Robin Hood: Men in Tights or Dracula: Dead and Loving It.

He also produced critically acclaimed dramatic films through his company Brooksfilms, including David Lynch’s The Elephant Man and The Fly.

Brooks began his career on the show of shows where he wrote the 2000-year-old man with Carl Reiner. He went on to create Get Smart which won seven primetime Emmy awards.

It’s not just that Mel is funny. He is the kind of laugh-out-loud funny that makes you laugh so hard it actually hurts.

Moving on to Carl Reiner, one of my all-time favorites, his list of achievements is also admirable. The Dick Van Dyke Show, still one of the funniest and best written shows ever to fill a television screen.

His movies include The Jerk, Summer School and Dead Men don’t Wear Plaid among others.

I have always been impressed with his sheer ability to write great comedy that is not only funny, but intelligent.

Neil Simon wrote 30 Broadway hits that featuring some of the wittiest and most prolific dialogue ever produced. His plays starting with Come Blow Your Horn, Barefoot in the Park, The Odd Couple Plaza Suite, The Sunshine Boys: Chapter Two, Brighton Beach Memoirs, Biloxi Blues, Broadway Bound and

Lost in Yonkers, for which he received a Pulitzer Prize. 

The Sunshine Boys, California Suite and the Goodbye Girl were among his plays that found their way to the big screen. In his career he received numerous Tonys, WGA and other awards for his voluminous body of work.

Larry Gelbart left Caesar to co-write the Broadway hit A Funny Thing Happened on the Way to the Forum. He moved on to his television mega hit M.A.S.H. and hit movies Tootsie and Oh God.

Gelbart’s work garnered him 14 Emmy Awards, a Peabody Award, six Golden Globe Awards, seven Directors Guild of America (DGA) Awards, and seven Writers Guild of America (WGA) Awards.

Selma Diamond was highly recognizable for her raspy voice and Dorothy Parkeresque wit.  Her unique voice and personality led her into acting and she was well known for her work as the Bailiff on Night Court, and role on Too Close for Comfort. Some say she was the model for the character of Sally Rogers on Reiner’s Dick Van Dyke Show.

Danny Simon, Neil’s older brother wrote material for comics like Buddy Hackett, Jan Murray and Phil Silvers. He and Neil began by writing for various radio and television shows including Broadway Open House and the Red Buttons and Jackie Gleason shows before as Your Show of Shows.

After they stopped writing together in 1954, Danny became head writer on The Colgate Comedy Hour and Danny Thomas’ Make Room for Daddy.

He also wrote for My Three Sons, The Carol Burnett Show, The Mac Davis Show, The Kraft Music Hall, The Facts of Life and Diff’rent Strokes as well as Joan Rivers.

Lucille Kallen was the first woman hired on the show. After Show of Shows she went on to write the popular C.B. Greenfield Mysteries book series.

Your Show of Shows morphed into Caesar’s Hour with some of the same staff, but also added writer’s like Woody Allen who went on to become Woody Allen.

The list was comedy royalty. The enormous body of work these writers went on to produce is legendary. I doubt I have ever, or will ever see such an illustrious and talented group of comedy geniuses in the same room again. Sad, when it seems now more than ever we need laughter.

If anyone ever wonders how Baby Boomers got their sense of humor, they need only watch reruns of Your Show of Shows.