Tag: Ann Miller

Genius or Madness? Must There be Both?

I recently pondered that age-old question how far is the distance between genius and madness?

From where I’m sitting not so very far.

It seems those whom have been gifted with great talent are also cursed with torment and a cornucopia of demons.

I may be wrong, as it has been known to happen for sure. Yet when we look at some of the great artists, they seem to have carried a great deal of baggage on their trip through life.

I will focus on music and begin with Michael Jackson. Now of course there are those who may argue it was his upbringing and not his genius that caused his behavior and demons.

I imagine it was both. Yet watching him perform there is a certain tension one feels that he may explode from holding all that talent in and BOOM!

It’s as though if he sings one more chorus and does one more moonwalk he will literally explode.

His body seems unable to contain whats inside him.

No one who has seen him perform, either live or on screen can argue this is a man with an overabundance of talent. A gift that exceeds most by so far, it’s impossible to ignore.

It’s also quite obvious his demons are as great as his talent. His behavior cried out he was hiding pain. Yet, I imagine he was happy in his way.

Any man that possesses two battling spirits must be confused. The Michael that created and felt the excitement of performing and executing his art. Then there was the other Michael. Unsure of how to contain such a vast amount of talent. It must have been difficult to be him. I am not going to use this platform to judge him or his actions. I am far from convinced he was as kind or caring a person as he seemed.

In fact, I am sure he could be relentless and unscrupulous to a frightening degree. I’m just assuming a dark side to his character, but if I’m wrong, I apologize. Michael Jackson was not a man who felt or acted in small ways. It was all over the top and beyond.  

Did we enjoy his music? Yes. Did we enjoy watching him perform? Yes, as well. Do any of us really believe he had a handle on his demons? Of course not. Yet it didn’t seem to stop us from being amazed by his talent. We accepted his genius was simply too much for him to control. Watching him perform one ran the gamut of emotions from excitement to awe and ultimately confusion. Confused his extraordinary gifts also seemed to be his greatest curse.

If we’re talking about those who are blessed with enormous talent one must never forget Bob Fosse. Another prime example of a man with extraordinary abilities to transfix, excite and move us, yet unable to contain his demons.

Yes, there is a pattern emerging here and it’s a scary one.

I was a great fan of Fosse since the golden age of MGM musicals. They were catnip to me and I reveled in watching Howard Keel sing, and Ann Miller and Fosse dance. There were so many great talents displayed there, but even at a young age I couldn’t take my eyes off Fosse. Something about the way he leaped higher, moved more stealthily and had that IT factor was never lost on me. He seemed to fly higher through the air, smile wider, engage more; he was simply Fosse.

He went on to increase his gifts with the advent of directing in addition to choreography. Broadway became a perfect vehicle to display his genius. Fans appreciated every moment spent watching Damn Yankees, Sweet Charity or Pajama Game.

Cinema welcomed him to create an unforgettable adaptation of Cabaret and his public ignored the drugs, infidelity and self- destructive behavior he exhibited.

But that’s what we do with our idols. We accept somehow there’s a price to pay for such gifts that rise so far above us mere mortals, we’ve stopped questioning why.

As someone who actually watched up close and personal as Robin Williams performed onstage, I can tell you I believe that man’s brain did not work like other people’s.

Now of course we all know, and I freely admit that yes, comics are a bit, shall we say, off, to start with. But true comedy genius reaches another level. Robin achieved that level. Watching any great comic is a double sensory experience. Our eyes and ears are working together to bring us the message that will click in our brains and spark our funny bone.

Robin added another intensity to our sight. One could almost see his mind working as hilarity spewed from his mouth. Constantly and consistently nonstop.

It was as if you’d boarded a train going one hundred miles an hour and had no desire to jump off.

Robin was rare. I can tell you there are many brilliant and hilarious comedians, many I have been privileged to know and work with, but Robin was unique. His brain took off like a rocket ship and the stage was his launching pad.

There are many other great talents I could name, and many although incredibly talented owe much of their pain to drugs.

I imagine some used drugs or alcohol to soothe the pain of genius.

So many gifted people the likes of Van Gogh, Beethoven, Orwell, Frida Kahlo, Kurt Cobain, Jim Morrison, Hemingway and countless other musicians, writers, poets and artists created and suffered simultaneously. And no list of gifted performers would ever be complete without the incredible Sammy Davis Jr. He made it all look so damn easy. The man oozed talent.

Despite the tortured aspects of their personalities, they used their gifts. I cannot say whether their pain caused them to be greater or less.

If one is honest there seems to be a great many people besides artists battling demons. I only know when one looks at the geniuses we admire, they seem to have greatly suffered.

I for one am grateful they fought to excel and create as we are the benefactors of their talents. Especially now, the world is a more musical, beautiful and uplifting place because they did.

Confessions of a Moviegoing Popcorn Princess

Lately my readers would get the impression I spent my entire existence watching television. Okay, so much of it anyway. And I suppose I am guilty of not being able to resist a laugh provided by my favorite comics and sitcom stars. However, that is only part of the hours I spent enjoying media. I am also a rabid cinema fanatic. Old, new, no biggie, I’m on board.

Yes, I possess a certain addiction to the big screen. It’s not just the popcorn, although I admit it adds to the experience. Sadly, now the home screen also serves up great films.

I know we all have our favorites in every genre and I must confess mine cross the board and include comedies, adventure and mystery and Hitchcock (I consider his movies a genre of their own).

If I go down the list of my all-time favs, and there are not megabytes to include them all on my computer, I realize so many are older.

Of course there are the usual suspects.

From Casablanca to Godfather one and two, but there are also others some might not quite agree rank up so high.

Yet for crazy reasons of my own I seem to enjoy watching them whenever possible.

Yes, there are certain criteria that go with judging a film great, yet so many other factors enter into the equation.

Who you watched it with, where you were, does it evoke a treasured memory, something about the scenery or location makes you feel all warm and fuzzy, or it contains a favorite actor.

Yes, there are universal components to these elements, yet there is also a very personal connection to many movies that stand out in your own life.

Some I share with the world are the Star Wars, Avengers, Back to the Future series, E.T., Rear Window, all Indiana Jones, with the exception of Temple of Doom.

Witness for the Prosecution, Singin in the Rain, Citizen Kane, Die Hard franchise, To Kill a Mockingbird, It’s a Wonderful Life, Some Like it Hot, The Treasure of Sierra Madre, Life of Brian, Gone with the Wind, Harry Potter series, Ben Hur, Mr. Smith Goes to Washington, The Wizard of Oz, and Network. And so many others. There is no doubt countless great movies have graced the silver screen and brought us untold hours of joy. Yet, many of my favs might not have come up on your favorites radar.

I suppose we should qualify what make a movie great. I know there are many differences of opinion about this, hence the critics who often disagree. Still, if a film is universally popular and registers enormous amounts of money does that make it a great movie? There is a difference between a great movie and a financial success.

Popular and artistic don’t always go hand in hand. Although it’s true they oftentimes coexist.

Still many small movies have been judged exceptional, despite the fact they appeal to a small audience. I think the term is “indies.” Many of these are made from the heart and a dream. A great story can lure you in and transport you. Blockbusters are created by a studio’s need to make money.

Big Budget movies can be entertaining, but don’t guarantee the components of greatness. Yet what is important is the way you feel when you are watching. Does the movie make you laugh, scare you, evoke great memories and a warm feeling of nostalgia? Can you watch it every time you see it playing and still enjoy it as much or more than the first time? Is a ritual watch each year at a special time? These reasons are often my criteria for favorite movies, although not necessarily great ones.

After the fifties it seemed as though the major studios were driving the bus.

The Hollywood star system was almost gone, but MGM held onto their box office success with the great musicals for many years.

Stars like Jane Powell, Howard Keel, Kathryn Grayson, Grace Kelly, Frank Sinatra, Debbie Reynolds, Cyd Charisse, Ann Miller, Esther Williams, Bing Crosby and Gene Kelly and Fred and Ginger still sang and danced across the now much larger screens.

The formula continued to be successful with Marilyn Monroe, Jane Russel and Doris Day joining in a big way.

Studios always prided themselves with being able to blend in with the public’s tastes and lifestyle of the times.

However, many flopped worse than the Edsel.

Remakes of favorite movies create comparison by ardent fans who reject messing with a cherished film.

Sometimes studios in their desire to grab some cash push the envelope too far as in Indiana Jones and the Dial of Destiny.

They have also discovered that combining a big box office star with a bad script isn’t a guarantee of success. In fact, it usually backfires.

Hello, Hudson Hawk and Ishtar!

If you don’t believe movies are a personal moment between an audience and the celluloid, just ask a room full of people to name their favorite holiday movie, Hitchcock film or Star Wars episode. Now of course the Avengers series also has fans arguing about which in the series is number one.

I am going to share my besties hoping you agree with some of my choices. They are varied and many hold a special memory for me as I’m sure yours do as well. I hope you’ll share yours with me and my readers. Of course this isn’t all of them, I’m certain I’ll remember at least ten more after I publish this blog, but it will suffice.

Some of my tops in no particular order are: Gentleman’s Agreement, While You Were Sleeping, Weekend at Bernie’s, The Producers with Zero Mostel, The Big Chill, We’re No Angels, Miracle on 34th Street,  The In Laws with Falk and Arkin, The Treasure of Sierra Madre, Life of Brian, Dirty Dozen, Mad Mad Mad Mad World, Major League, Trading Places, A Date WIth Judy, A Christmas Story, Pocketful of Miracles, The Wizard of Oz, Network, The Horn Blows at Midnight, any Sherlock Holmes with Basil Rathbone, The Equalizer series with Denzel, Adventures of Robin Hood, Footsteps in the Dark, most Neil Simons, The Razor’s Edge with Tyrone Power, James Bond with Connery,  all Hitchcock, Fred and Ginger, The Thin Man, Dirty Harry, Doris and Rock, Two For the Road, any Cary Grant and Cotton Comes to Harlem,

I hope you agree with my choices and I’d love to hear yours. I’m sure I forgot many and if so, please chime in.

Happy movie viewing everyone. I hope they all spark some wonderful memories for you.

If Only Life Was a Hallmark Movie

Unless you live on Mars, you or someone you know is watching Hallmark Christmas movies right now.

Men, women it doesn’t seem to matter, Hallmark has cornered the market on mushy and sentimental movies. By adding some fake snow, they cornered the Christmas market as well.

No wonder Hallmark starts its Christmas season in July.

Talk about the commercialization of Christmas!

Yet no one seems to mind.

There are of course other channels that run those schmaltzy two-hour tear jerkers, but Hallmark leads in finding the formula viewers will buy.

And formula is the operative word here.

It doesn’t matter to viewers that they are watching the same movie dressed in a new costume every time. They simply rehash the script, add some new Hallmark players as leads and viola. A new movie yeah, but not really.

We are all if nothing else creatures of habit. Hallmark, after selling us those syrupy cards our whole lives, knows what schmaltz we will embrace. And, of course in every Hallmark movie the embrace or Hallmark kiss as I call it, happens, wait for it, only at the end. There is usually an interrupted kiss somewhere along the line.

There is a definite formula that is followed to the letter in each movie. You can set your watch by it. Boy meets girl or now boy meets boy or girl meets girl, they dislike one another, or they click, both versions are available and lead to the same place. They fall in love, they solve a problem which depending on the season could be a pumpkin patch, strawberry field or school play problem. At Christmas there is a Santa Claus with nothing to do in December but help out one of the Hallmark players. So he makes Lacey Chabert or Jen Lilly fall in love with another player like Andrew Walker or Paul Campbell until it all falls apart. There is always a snippet of a conversation overheard and misunderstood, or a secret that should have been disclosed earlier that leads to a break up.

But rest assured all ends happy and the lovers reunite. The world is bright and then the Hallmark kiss at the end seals the deal.

It ain’t Shakespeare, but it sure seems to work.

Perhaps that’s why it does after all. The very fact we can count on every movie to end happy, have a Santa Claus to interfere, (because after all Santa has nowhere else to be at Christmas time), is actually a comfort of sorts. And there’s always holiday baking, tree trimming and a snowball fight to keep things real.

I’d be remiss if I didn’t mention the Royal movies where a prince or princess from some country ending in “ovia” falls in love despite his or her mother being dead set against a commoner in her palace. But of course in the end all is forgiven and crowns are placed on Hallmark stars’ heads.

There is no tension, no nail biting, no fear something is going to jump out and kill someone. Even the mysteries are charming and innocent. A woman, it’s always a woman, takes time out from catering, baking or running her flower shop to track down a killer. There is always a handsome cop to help her so no worries.

Oh sure they have become more inclusive, there is even a Chanukah movie or two with unlimited Yiddish words thrown in for good measure to ensure every base is covered.

So if we’ve seen every movie a thousand times, why do we keep watching? I’d have to vote on the fact it is so predictable that makes it so watchable.

Hallmark has not reinvented the wheel here. The Hallmark players, as I call them, are exactly the same as the contract actors Hollywood collected in the forties and fifties.

Stars were always attached to a major studio until later when they went rogue and became independent agents. Until then they cranked out movies every month or so. Actors like Bogart, June Allyson, Peter Lawford, Elizabeth Taylor, Spencer Tracey and even Gable worked under contract to a major studio. An audience that attended an MGM musical could be certain Ann Miller would be tappy tapping alongside Bobby Van or Bob Fosse and Howard Keel would be belting out songs to leading ladies like Jane Powell or Katherine Grayson.

The familiarity and knowledge there would be no surprises brought audiences back again and again.

So is life like a Hallmark movie? No way and that’s why people watch them.

There is a kind of comfort in knowing that all will end well.

There are even humorous moments that seem to show up in certain Hallmark movies where actors kid one another and act like a family. It’s like the viewer is on the joke so we can laugh along.

Hallmark has latched onto a most seductive formula, certainty, escapism and optimism in an uncertain world.

And let’s not forget the pets. Dogs and cats are big in Hallmark world. Kittens and puppies populate the scene and nothing can lure you in faster than those adorable faces staring at you from a big screen. Lassie has come home on Hallmark.

Familiarity doesn’t breed contempt after all. It breeds viewers, sponsors and big bucks. I’d have to say no way is life like a Hallmark movie. That’s why we must rely on them to deliver us to a place where all is neatly wrapped up in a bow. Then deliver it all to us with a spoonful of sugar to make the medicine of reality go down easier.

Happy New Year everyone. I’m sure if you look you’ll find a Hallmark movie covering that holiday too.